Back in the ’80s, horror franchises were the thing and demonstrated a horror villain’s longevity. Decades later, there have been a few that have gone on to establish cult status and up the ante after the first three films. Terrifier has been a raging success, and Scream keeps going and going… and then going some more.
For me, V/H/S stands out as a true modern-era horror franchise. It started in 2012 and was picked up by streaming platform Shudder nearly a decade after its inception. There have been some lesser entries, but overall the found footage films have been a mixed bag due to their nature. Its anthology style has left room for terrible segments and diamonds in the rough.
Still, V/H/S has been a mainstay and a reliable source for found footage fans to get their fix. Let’s look at all eight films in the franchise and rank them.
6. V/H/S/99 (2022)
The idea of giving each later film a year-based focus is in full swing, and 99 is an improvement on 94 overall. The green plastic soldiers segment is a highlight and captures the found footage style brilliantly. It feels more focused than the previous entry, featuring possession, suicide, and more.
5. V/H/S/2 (2013)
It’s still early days with part two, and there are some engaging segments here—perhaps too many. The film can feel a bit convoluted at times. That said, Safe Haven is a standout, documenting an insular Indonesian cult in unforgettable fashion. The P.O.V. segment is decent but leaves a lot to be desired.
1. V/H/S (2012)
I truly believe this debut entry is the tightest overall. While some individual segments in later films may be stronger, as a complete package this one nails it.
Four stories wrapped in a creepy setup inside a house filled with mysterious videotapes—it’s simple but effective. The first segment hits hard and showcases some nasty effects. Tuesday the 17th is gruesomely mean-spirited and features a killer with a twist.
I personally think the found footage format is used to its maximum potential here, especially given the budget. Everything flows, and every segment hits.